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大地逃逸藝術計劃 - 香港
0.3 Landescape Project Hong Kong 0.3 


策展人 Curator

Yue Yuen Yu obtained her BA in Fine Arts at The Chinese University of Hong Kong. Yue focused on figure sketching and printmaking technique, believing the body contains memory and soul. Yue became an independent curator after graduation, founded Landescape1823, which advocates bringing art experience back to artists through space, and has held site-specific art events since August 2020. Landescape1823 was invited by Museum of Site, curated the debut exhibition <A Clockwork Lai Chi> (JCCAC, 2021). 

Yue has received the HKSAR <Talent Development Scholarship> (2020), HKADC <Grant for Emerging Artists> (2021), and Para Site <NoExit Grant for Unpaid Artistic Labour> (2021).

Participating Artists

Restorer Using Scalpel

𝐂𝐡𝐚𝐧 𝐂𝐡𝐮𝐧 𝐇𝐢𝐧 𝐈𝐠𝐨𝐫

Igor CHAN Chun Hin, born in 1998. He obtained a BA in Fine Arts at The Chinese University of Hong Kong in 2020. His works mainly focus on oil painting and installation, trying to solve all kinds of puzzles in life with art.

CHAN’s works revolve around the conundrum in life. With his work, he raises questions and responds with bluntness. He aims to create space for imaginations and perceptions, answering endless questions with materialized abstract concepts, filling the vacancies of answers.

His works have been shown in exhibitions including LIGHT UP(2021), Fresh Trend (2020). He was the awardee of Cheung’s Fine Arts Awards and Culture Corner Art Academy Fine Art Award. He recently co-founded Ipseng, a local artist collective.


𝐍𝐚𝐭𝐚𝐥𝐢𝐞 𝐅𝐮𝐧𝐠 𝐂𝐡𝐢𝐧𝐠 𝐋𝐚𝐚𝐦

Natalie graduated from the Department of fine arts, the Chinese University of Hong Kong in 2020. Her art practice revolves around cartography, personal and collective memory, and the production/reproduction of space and everyday life. She works across mediums from collage, drawings, to video, and site-responsive installation.

She is currently publishing content in the new local zine MYEW!.


𝐆𝐫𝐚𝐜𝐞 𝐋𝐞𝐮𝐧𝐠 𝐇𝐢𝐮 𝐋𝐢𝐧𝐠

Grace Leung Hiu Ling (b. 1997) graduated from the Department of Fine Arts, The Chinese University of Hong Kong in 2020. Grace's works mainly focus on painting, she is also interested in creative writing and installation. Her recent interest is in the voids and gaps in life and memory. Inspired by the tension between the outside reality and her dream, therefore she is trying to express the intermingling of her psychological reality and the objective reality.



𝐑𝐢𝐧𝐠𝐨 𝐋𝐨 𝐖𝐢𝐧𝐠 𝐓𝐚𝐨

Ringo Lo Wing Tao (b. 1998, Hong Kong) is enthusiastic about juggling the many subcultures one experiences.
Specializing in mixed-media pieces and installations, Lo purposefully uses unconventional ‘wrong’ means throughout his creative process, teasing the ideas of labor and art-making.
Through his works, Lo utilizes storytelling and makes desperate attempts with his logic to analyze and reason with one’s emotional and spiritual experiences, and how they expand to become communal.

His works have been shown in exhibitions including A Clockwork Lai Chi (2021), 活體洞 (2021), We Are Our Own Demons (2021). He has also recently co-founded Ipseng, a local artist collective. He is also publishing content in the new local zine MYEW!.



Martha is born on Earth (b. The year Bill Clinton bans funding on human cloning researches). She has obtained her BA in Creative Media & BA in Digital Media from City University of Hong Kong and Leuphana University of Lüneburg.

Her works often involve the questioning of production and its politics. Please talk to Martha if you like to know more about her. She doesn’t really like this trivial formatting of artist statements (Though she knows she will one day obey it).


𝐖𝐢𝐧𝐠 𝐒𝐳𝐞 𝐍𝐠

B. 1998. L & w in HK.

By drawing parallels with poetic imageries and pop culture references, Wing Sze Ng discusses metropolitan experience on suffering and sacrifice. She works with a variety of media, including videos, installations and interventionist practices. She shares the same feeling towards artist statements with Martha.


𝐓𝐚𝐦 𝐌𝐚𝐧 𝐂𝐡𝐢𝐧𝐠, 𝐌𝐢𝐜𝐡𝐞𝐥𝐥𝐞

Tam Man Ching was born in Hong Kong. She obtained her BA in Fine Arts at the Chinese University of Hong Kong in 2020. Her creative practices mainly involve mixed media, installations and interventional practices. She is stimulated by contemporary primitivity to explore the attachment recalled in human amidst their ambivalence towards the world. Through the practices she examines and explores the relationship among constructs and people with everyday objects, concurrently establishing her conversations with humanity and the cosmos. 

Her works have been shown in exhibitions and screenings including A Clockwork Lai Chi (2021), Fresh Trend (2020) and Video Cypher (2019). 

She currently lives and works in Hong Kong. Being accepted into the ACO residency programme in 2020, she and several peers founded Ipseng, a local artist collective.



Vunkwan Tam currently lives and works in Hong Kong. His artistic practice ranges across sculpture, image, video, text, sound, and installation. He draws inspiration from the ghosts of a society and objects he encountered.
Exhibitions and performances participated include, “Play. Boredom. Worship.” (Tomorrow Maybe, Hong Kong, 2019); “New Babylon” (Prsntprsnt, Hong Kong, 2019); “Sincerity Machine” (Twenty Alpha, Hong Kong, 2019); “Sound Forms” (Contemporary Musiking Hong Kong, Tai Kwun Contemporary, Hong Kong, 2020).


𝐒𝐡𝐚𝐰𝐧 𝐏𝐚𝐤 𝐇𝐢𝐧 𝐓𝐚𝐧𝐠

Shawn Pak Hin Tang, obtained his Bachelor’s Degree from Academy of Visual Arts at Hong Kong Baptist University, is a Hong Kong-based artist whose practice encompasses diverse forms and mediums, including installation, video, sound, and sculpture. Inspired by anecdotes of daily life and personal experiences, his works often integrate topics of time, place, collective memory and cultural boundaries. His practice often charged with a particular worldview extracted from reality, presenting narratives with abstraction, ambiguity and subtleness.

Supported by Hong Kong Arts Development Council

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