Curator and Artists
Get to Know Us
余沅榆
Yue Yuen Yu
策展人
Curator
余沅榆，於香港中文大學藝術系本科畢業。其創作以人像素描、版畫為主，相信身體擁有記憶是靈魂所在。在二零二零年時創辦了地逸一八二三，主張籍著空間帶領藝術回歸藝術家。
Yue Yuen Yu obtained her BA in Fine Arts at Chinese University of Hong Kong. Focusing on figure sketching and printmaking technique, believes body embodies memory and soul. Yue is also a founder of Landescape1823, which advocates bringing back art to artists through space.
韓己仁
Hon Kei Yan, Adrian
參展藝術家
Participating artist
就讀於香港中文大學藝術系。
是一位偏頭痛患者。
相信世界需要更多動漫。
現正準備自己肉身準備異世界轉生。
Observation is a huge part of my art career. I love observing the relationship between structure, forms, and textures of nature. While majoring in CUHK Fine arts, I explored multiple fields in oil painting, photography, video editing and sculpture etc. I found my deep interest in handicraft through ceramic and sculpture making. I applied my skills in sculpting my own realistic ACG figures and artworks. My art study includes how subculture and derivative work fit in the modern art society. I hope to explore how modern artists situate themselves in Contemporary art and Hong Kong society.
My art studies are centered around senses and perception. Recently, I am working on how making art can help us face life struggles and illness. I am attracted to the treatment through “art-making” progress. Through the spiritual progress of making art, we can analyze your thoughts in profound progress. I see myself as intuitive and rational.
謝恩旗
Arielle Tse
參展藝術家
Participating artist
2019 英國倫敦 Slade School of Fine Art, University College London美術學院藝術文學士
謝恩旗的作品通常為雕塑裝置，而裝置中的物件都相互映襯——中央塌陷的手製裝幀書籍、石膏和樹脂打鑄的發泡膠片與忌廉、石膏枕頭與屈折金屬等，不一而足。藝術家揉合了各式各樣的物料，如矽膠、木材、複合水性樹脂、布料、金屬，甚至水果和甜點等有機物質，用以製作或打鑄作品。謝恩旗的作品圍繞物件與人際關係的互為主體性深入探究。人們對日常生活中常見的物品都有慣性依賴，源自於對這些物品的觸感和用途的記憶。藝術家透過不著痕跡地顛覆日常用品的型態，探索依賴情緒的拉扯與輕重。
謝恩旗以透過文字與物料構建富質感的地貌為己任，並致力在詩詞的字裡行間和雕塑裝置中滲透親密感。她期望能透過作品體現對平衡、重量和質量的敏感，引導觀眾反思對每件物品的。
2019 BA Fine Art, Slade School of Fine Art, UCL, London, United Kingdom
Arielle Tse’s work often consists of sculptural installations. Objects are made to reflect each other, handbound books with sunken puddles, cast chips and cream, hardened sinking pillows and bent metal, etc. They are made or cast with various materials, including silicone, wood, jesmonite, fabrics, metal, and sometimes include organic matter such as fruit and confectionery. They revolve around an investigation into the inter-subjectivity of objects and human relationships. She explores the push and pulls, as well as the lightness and heaviness of attachment emotions through subtly subverting everyday objects, sprung from memories of touch and function for each of them.
Tse focuses on constructing tactile landscapes through text, material, and attempting to permeate intimacy into poetry and sculptural installations. She aims to pose sensitivity to balance, weight, and materiality through her work, make the viewer question their established perception of the individual objects, and how they can serve as analogies for human relationships.
吳咏詩
Wing Sze Ng
參展藝術家
Participating artist
ミ★ 都市經驗/ 意像/ 流行文化
ミ★ 奉獻/ 語言/ 虛空/ 苦難
ミ★ 影像/ 裝置/ 介入
ミ★ 香港中文大學文學士（藝術）
24/7工作。15/24全情投入。
B. 1998. L & w in HK.
ミ★Metropolitan experience/ Imageries/ Pop culture
ミ★ Sacrifice/ Language/ Void/ Sufferings
ミ★Videos/ Installations/ Interventionist practices
ミ★ BA (Fine Arts), CUHK.
24/7 full-time job. 15/24 of each day fully engaged.
馮靖嵐
Fung Ching Laam Natalie
參展藝術家
Participating artist
馮靖嵐在2020年畢業於香港中文大學藝術系，她的藝術實踐圍繞著製圖學、個人和集體記憶、以及空間和日常生活的生產/再生產。 她的工作涉及各種媒介，從拼貼、繪畫到影片和場域特定裝置。
Natalie graduated from the Department of fine arts, the Chinese University of Hong Kong in 2020. Her art practice revolves around cartography, personal and collective memory, and the production/reproduction of space and everyday life. She works across mediums from collage, drawings, to video, and site-responsive installation.
陳子雯
IV Chan
參展藝術家
Participating artist
陳子雯的創作圍繞身體等命題，嘗試透過雕塑和裝置的形式，探討人的原罪和如何淨化，當中涉及各種神話、宗教、地域傳統與禁忌的制約等等。人類其脆弱的軀幹給”存在”帶來無可幸免的恐懼與悲劇…但何以我們還會堅持與此共存? 最終，必定會引申提問有關由身體所產生的種種”矛盾性”。藝術家在回顧自己身體的經歷，同時也探索在藝術實踐中所用的材料及其轉化作用。從充滿著矛盾的身體中，希望可以找出肉體的新潛能。過程充滿了激情、波動及種種沒法預料，最後達至形而上的踰越。陳子雯現於香港中文大學藝術系兼職教授雕塑, 最近入圍了大館藝術家工作室駐埸計劃, 會在六-八月份展開駐留。
Through installations and sculptures, IV's artistic interest is rooted in the juxtaposition derived from the complexity of the human body and its soul. IV sees our inescapable and corporeal existence as tragic and ludicrous; sordid and pure. She inspects her own problematic bodily experiences while exploring the interrelationships between Man's original sin and their ways of catharsis.
Probing this specific arena, namely the “problematic body”, all sorts of ambivalences evolved within including sex, death, sacrifice, violence, taboo, religion, mythology to posthuman are being confronted and questioned. As a presumptuous being, IV creates works as a means to seek new perspectives and anticipations of the mortal flesh, whereas the transfigurations of materials are assiduous and humble efforts of the artist in striving for an ultimate metaphysical state of transgression.
IV was recently selected to participate in the TaiKwun Artist's Studio Programme from June-Aug 2021 and she is also currently a part-time lecturer in The Chinese University of Hong Kong teaching Fundamental Sculpture.
譚綽琳
Jessie Cheuk Lam Tam
參展藝術家
Participating artist
譚綽琳生於1993年香港，喜歡帶遺棄物回工作室聊天，久而久之物料也想「成為什麼」。她情感多多，常藉故發揮傷春悲秋，說要縫製生活現實並擁抱脆弱作為人類的本質。她是個創作著眼於「失敗」卻無法面對失敗的藝術家，她的作品親密、頹廢、易於收納、方便攜帶、不太長久，她希望從作品中學習不完美，並與世界進行協商。
她目前於荷蘭Frank Mohr Institute 修讀繪畫碩士課程，有時站在垃圾桶前，還被貓叫停。2018年畢業於中文大學藝術系，她通過無聊的工作使自己快樂。
Jessie always falls into the hole of human feelings. She said, "I want to fill in the gaps with life's realities, and embrace vulnerability as human nature." Listening to the unheard voice of unwanted materials, her work also grows a reflexive response of “whatever they want to be something at the moment”. She is an artist who focuses on failure but not able to face failure in reality. Her work is a game of intimacy, wherein everything is fragile, child-like, low-brow, easy-to-make, and not meant to last but easy to bring along. Such an everyday practice to look at, and live with what we have lost and what we have compromised, she negotiates the world on a day-to-day basis for a hidden process of self-revelation.
She is currently studying the Master of Painting Programme at the Frank Mohr Institute in the Netherlands. She likes to stand in front of free shelves, trash cans, and sometimes stop by a cat. She puts bread in the cupboard to get moss and become a poor artist. She makes herself happy by doing silly work.
梁曉聆
Grace Leung Hiu Ling
參展藝術家
Participating Artist
梁曉聆，生於1997年香港，2020年畢業於香港中文大學藝術系。畢業後與另外四位藝術家組成 GOAWAY藝術合作社。 現從事畫廊兼職、畫班導師、補習老師、展覽導賞員。創作主要以繪畫作媒介，也熱衷於文學創作和裝置藝術。她的作品記錄她對於人、心理、記憶與關係的觀察和想法，嘗試寫實地描繪她個人心理現實與客觀現實的交雜。
Grace Leung Hiu Ling (b. 1997) graduated from the Department of Fine Arts, The Chinese University of Hong Kong in 2020. Co-founded GOAWAY collective with other four artists after graduation. She now works as a part time gallery executive, gallery assistant, art tutor and exhibition docent. Grace's works mainly focus on painting, she is also interested in creative writing and installation. Her works record her observation and thoughts on human, psychology, memory and relationships, trying to express the intermingling of her psychological reality and the objective reality.
善忘
Simone
參展藝術家
Participating Artist
近年畢業於浸會大學視覺藝術文學士課程，以蒐集景物為興趣，並擅長以另一個角度去觀察周遭事物，希望能通過創作去重新定義以及思考物件本身與自身的關係。
Graduated from Academy of Visual Arts at Hong Kong Baptist University in recent years. She is used to giving an insight into the non-living matters and daily scenery from another perspective, it creates an inexplicable connection with surroundings, and further explores the essence of matter and life.
盧永滔
Ringo Lo Wing Tao
參展藝術家
Participating Artist
盧永滔，生於1998年香港，於香港中文大學藝術系畢業。熱衷於感受和玩弄活於香港所體驗的種種次文化。他專注以非傳統的「錯誤」方式創作平面及立體的混合媒介裝置作品，來回於勞動與創作這兩種模式之間。
盧常著急地利用邏輯，透過作品分析自己的情感和精神經驗，同時感受著一個雙重世界。
Ringo Lo Wing Tao (b. 1998, Hong Kong) graduated from the Fine Arts Department of The Chinese University of Hong Kong. He is enthusiastic about juggling the many subcultures one experiences when residing in Hong Kong. Specializing in 2D and 3D mixed-media pieces and installations, he purposefully uses unconventional ‘wrong’ means throughout his creative process, teasing the ideas of labor and art-making.
Through his works, Lo makes desperate attempts with his logic to analyze and reason with his emotional and spiritual experiences, also feeling the world in duality.
朱凱婷
Michele Chu
Position/Role
朱凱婷，1994年出生，畢業於英國皇家藝術學院和帝國理工學院雙碩士學位（全球創新設計）；本科曾就讀於紐約普萊特學院傳播設計系，主修插畫。
她的作品熱衷於探索人與人之間的親暱關係與交流方式，尤其是運用人的不同感官感受和不同的空間等元素去放大和展現人與人之間的情感聯繫，並且通過多感官裝置和街頭實驗等媒介，去讓人們重新思考「人，何以為人」。
關於朱凱婷的作品的報導曾於 The Huffington Post 及 The Telegraph 等雜誌上發佈。此外，她還在TEDx等全球平台上分享了她的作品。
朱凱婷為聲音掏腰包「藝術家支援計劃」2020-21 年度獲選年青藝術家。
Michele Chu (b. 1994) graduated from the Royal College of Art & Imperial College London with an MA/MSc in Global Innovation Design, and Pratt Institute with a BFA in Communications Design (Illustration).
She is passionate about exploring intimacy and human connection in her works, specifically the interplay between sensory elements and space, to amplify the emotional connection between individuals. Her works contemplate what makes us human, through mediums such as multi-sensory installations and street experiments, amongst others.
Her works have received news coverage in publications including The Huffington Post, and The Telegraph, and have been shared on global platforms such as TEDx.
Michele Chu is supported by soundpocket's Artist Support Programme 2020–21.
譚煥坤
Vunkwan Tam
參展藝術家
Participating Artist
譚煥坤現於香港生活和工作。他的藝術實踐涵蓋雕塑、影像、錄像、文字、聲音和裝置。他從資本主義生活方式、權力動態和社會政治事件所引起的焦慮汲取靈感。
曾參與的展覽和表演包括「玩樂。無聊。崇拜。」（Tomorrow Maybe，香港，2019）、「新巴比倫」（Prsntprsnt，香港，2019）、「本真機器」（Twenty Alpha，香港，2019）和「形聲」（現在音樂，大館當代美術館，香港，2020）。
譚煥坤為聲音掏腰包「藝術家支援計劃」2020-21 年度獲選年青藝術家。
Vunkwan Tam currently lives and works in Hong Kong. His artistic practice ranges across sculpture, image, video, text, sound, and installation. He draws inspiration from the angst of a capitalist lifestyle, power dynamics in general, and socio-political events.
Exhibitions and performances participated in include, “Play. Boredom. Worship.” (Tomorrow Maybe, Hong Kong, 2019); “New Babylon” (Prsntprsnt, Hong Kong, 2019); “Sincerity Machine” (Twenty Alpha, Hong Kong, 2019); “Sound Forms” (Contemporary Musiking Hong Kong, Tai Kwun Contemporary, Hong Kong, 2020).
Vunkwan Tam is supported by soundpocket’s Artist Support Programme 2020–21.
王昊絢
Martha Mai Hatch
參展藝術家
Participating Artist
生於地球上（出生年份：比爾·克林頓（Bill Clinton）禁止為人類克隆研究提供資金的年份）。 她擁有香港城市大學和Leuphana University of Lüneburg 的創意媒體學士學位和數字媒體學士學位。
她的作品經常涉及對生產及其政治的質疑。 如果您想進一步了解她，請與王昊絢談談。 她不太喜歡這種瑣碎的藝術家陳述格式（她知道自己有一天會服從它）。
Martha is born on Earth (b. The year Bill Clinton bans funding on human cloning researches). She has obtained her BA in Creative Media & BA in Digital Media from City University of Hong Kong and Leuphana University of Lüneburg.
Her works often involve the questioning of production and its politics. Please talk to Martha if you like to know more about her. She doesn't really like this trivial formatting of artist statements (Though she knows she will one day obey it).
譚敏晴
Tam Man Ching
參展藝術家
Participating Artist
譚敏晴出生於香港，在2020年畢業於香港中文大學藝術系。她的藝術實踐主要覆蓋混合媒介、裝置和藝術介入。她受當代的原始性啟發，在人類對世界的若即若離中探究被喚起的依賴性。譚氏多以日常物件審視和探索人與建構的關係，同時建立她跟人文及宇宙的對話。她曾參與展覽和放映於出爐 (2020）、野生藝術節(2020）、Video Cypher（2019）等。她現於香港生活和工作，最近和幾位朋軰藝術工作者成立了藝術群體---業生。
Tam Man Ching was born in Hong Kong. She obtained her BA in Fine Arts at the Chinese University of Hong Kong in 2020. Her creative practices mainly involve mixed media, installations and interventional practices. She is stimulated by contemporary primitivity to explore the attachment recalled in human amidst their ambivalence towards the world. Through the practices she examines and explores the relationship among constructs and people with everyday objects, concurrently establishing her conversations with humanity and the cosmos.
Her works have been shown in exhibitions and screenings including Fresh Trend (2020), Wildart Festival (2020) and Video Cypher (2019).
She currently lives and works in Hong Kong and recently co-founded Ipseng, a local artist collective.